Women, Westernization and the Origins of Modern Vietnamese Theatre

Abstract

Modern spoken theatre emerged in Vietnam in the context of the intellectual and social upheaval of the 1920s and 1930s. Plays in this period focused on the status of women, the effects of Westernization and the emergence of Vietnamese nationalism. In Nam Xu′o′ng's 1930 play Ông Tây An-nam, women became conduits through which men expressed their Westernized or nationalist identities.