Peter of Bruys, Henry of Lausanne, and the Façade of St.-Gilles

Abstract

The romanesque façade of the abbey church of St.-Gilles in the diocese of Nlmes has been a subject of debate among art historians for many years. This controversy has been centered on the design of the church's façade [Fig. 1]. In addition to a series of colonnettes supporting archivolts that surround the tympana over its three western doorways, the St.-Gilles façade also possesses two free-standing columns flanking the central doorway that support nothing, a peculiarity which has led scholars to conclude that the plan of the façade was changed during the remodeling of the church in the twelfth century. The debate has focused on the dating of this change. A number of dates have been suggested, based on the façade's sculptural style, on dated inscriptions in the crypt, and on documents dealing with the church fabric. The art historians of the nineteenth and early-twentieth centuries dated the redesigning of the façade between 1116 and the middle of the thirteenth century, though the tendency of more recent scholarship has been to narrow the range of dates to between 1116 and the 1140s.