Abstract
The rock art of Kupgal, south India, represents an archive of images amassed over five millennia. The author works out a first sequence and shows how the Neolithic petroglyph site may have functioned in its landscape – as a ritual locality at which not only images but sound, performance and social relationships were all prominent.
Publisher
Cambridge University Press (CUP)
Subject
General Arts and Humanities,Archeology
Cited by
37 articles.
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