Abstract
Trustworthy dates on charcoal from the classic European painted caves have given a sharper view of images and their making in the later Palaeolithic. The new Grotte Chauvet has its own original themes, revealing a striking and an unexpected Aurignacian art with — again — dates from charcoal in which one can have confidence.
Publisher
Cambridge University Press (CUP)
Subject
General Arts and Humanities,Archeology
Reference39 articles.
1. Los ‘sanctuarios’ exteriores en el Paleolítico cantábrico;Fortea Pérez;Complutum,1994
Cited by
30 articles.
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