How to Be a ‘Good’ Collector: Some Ethical Reflections on the Private Collecting of Cultural Heritage

Author:

Scarre GeoffreyORCID

Abstract

Abstract This paper discusses some of the major ethical issues that arise in connection with the widespread holding of cultural heritage by private collectors. If, as many people believe, and UNESCO has affirmed, cultural heritage is, in some morally significant sense, everyone’s heritage, then the private acquisition of cultural heritage, although widely permitted in law, raises some significant ethical questions. I discuss the nature of the tension between public heritage and private ownership of heritage items and the possibility that more might be done by law to regulate the activities of private collectors before arguing the merits of a shift in the mindset of collectors from thinking of themselves as the unfettered owners of the heritage they acquire towards conceiving themselves primarily as stewards who protect and preserve that heritage on behalf of the wider community. There follows a detailed examination of practical ways in which collectors can discharge their stewardship role to the best effect, emphasizing, in particular, the fresh opportunities for doing so afforded to collectors by the new digital environment.

Publisher

Cambridge University Press (CUP)

Reference50 articles.

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3. UNESCO. 1970. Convention on the Means of Prohibiting and Preventing the Illicit Import, Export and Transfer of Ownership of Cultural Property. Available at https://www.unesco.org/en/node/66148 (accessed 3 January 2024).

4. UNESCO. 1972. World Heritage Convention. Available at https://whc.unesco.org/en/conventiontext/ (accessed 5 January 2024).

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