The Festival of India

Author:

Nicholson Rashna Darius

Abstract

An in-depth study of the Festival of India (1985–1986) in the United States, one of the biggest events ever mounted to promote goodwill between two countries. Comprising more than seven hundred programs of music, dance, drama, film shows, art exhibitions, and workshops sponsored by over two hundred cultural institutions across over a hundred cities, the festival constituted a prismatic event that refracted the complex forces at play on the global stage during the 1980s. The Element delineates how this multi-sited spectacle of unprecedented size and near unfathomable political, economic, and cultural influence impacted theatre and performance studies. Simultaneously, it traces how two complex historical shifts were communicated to the global public at the end of the Cold War: India's desire to transition from planned Nehruvian socialism to laissez faire capitalism and the efflorescence of the model of 'cultural development' that centred the arts in development.

Publisher

Cambridge University Press

Reference235 articles.

1. ISEC (n.d.). ISEC, RG 3 (FA1401), Series 3: FOI Box 312, Folder Old FOI Lists, ACC, RAC.

2. Thompson, Marcia (1982). Chronology of Sequence of Discussions with the Ford Foundation. Ford Foundation Inter-Office Memorandum to Hardy, Gladys , Geithner, Peter , Sutton, Francis , Mayleas, Ruth . 24 November. Folder Peter Brook (Mahabharata Project). Education and Culture Program. Office of the Secretary (Alsie Falconer and General Files). Box 4. 48410. FFA, RAC.

3. Statement for Noon Press Briefing (1982). ISEC, RG 3 (FA1401), Series 3: Festival of India Box 310, Folder Festival of India – Planning, ACC, RAC.

4. Croydon, Margaret (1985). Peter Brook Transforms an Indian Epic for the Stage. The New York Times. 25 August, RG 1, (RF 87014), Administrative ACC Records Director’s Office, International Agencies, Folder International Centre for Theatre Research, 1969–1976, ACC, RAC.

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