Abstract
The decoration of Hellenistic houses can be understood in terms of hierarchies, which marked out the relative importance of the rooms and spaces in the house. In mosaics, the hierarchy is related to the materials used and the complexity of the design; wall painting is capable of expressing more subtle distinctions, through a combination of colours, motifs, decorative friezes, and architectural features in stucco relief. Surviving houses from Delos, Morgantina and Monte Iato are analysed in detail to explain how their decoration might have worked, and from these examples some conclusions are drawn about changes in the use of domestic space in the late Hellenistic period.
Publisher
Cambridge University Press (CUP)
Subject
Archaeology,Visual Arts and Performing Arts,History,Archaeology,Classics
Reference28 articles.
1. Greek mosaics in their architectural and social context;Westgate;BICS,1997
Cited by
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