Abstract
This paper investigates the transformative effects on technology of state collapse and related major cultural transitions in the period 1200–1000 BC (Late Bronze to Iron Age). It documents and assesses a notably large, preserved metal artefact assemblage (mainly bronze) from one of the best-known Mediterranean sites of the period. This is the large mountaintop town of Karphi, recently confirmed through excavation as occupied solely at the Bronze–Iron transition. Few other contemporary Aegean settlements sharing these characteristics of size, complexity and single-period occupation have been excavated, producing a lack of comparably informative metals assemblages. This contextual interpretative study considers in-depth knowledge of the archaeology of the site and its landscape alongside the results (published and discussed inArchaeometryin 2021) of surface HH-XRF testing on the whole assemblage. The latter is preserved in similar condition throughout, offering opportunities for broad internal alloy composition profiling by the latter method, as well as limited general compositional comparison with other assemblages from the contemporary Mediterranean. Comparisons of an interregional nature are attempted through typological, technological and contextual study of the Karphi material. In considering using this range of evidence, and considering how procurement, manufacturing technology and consumption processes around bulk metals and metal artefacts changed following state collapse, the analysis dwells on and highlights signs of locally centred, agent-driven shifts in contact, cultural and economic networks. On the basis of the full range of evidence addressed, it argues that Lasithian groups made specific, informed choices about manufacture and consumption without relying on specialised manufacture and supply from other points within Crete.
Publisher
Cambridge University Press (CUP)
Subject
Archeology,Visual Arts and Performing Arts,History,Archeology,Classics