Abstract
The characteristic terracotta plaques with seated figures accompanied by snakes were created for local use, as they are hardly ever found outside Laconia and Messenia. They served a type of cult, the heroic, as shown by both their widespread distribution in this region and their complete absence from divine sanctuaries. Their generalised and standardised iconography made them versatile offerings that could be used in various contexts, with the seated figure acquiring the identity of the locally honoured hero in a specific sanctuary setting. Distribution patterns also show variety. In Laconia, plaque findspots show this type of offering was favoured much more in the region inhabited by thehomoioi. By contrast, the Messenian plaques, offered both at Bronze Age tombs and at urban sanctuaries, must have been dedicated primarily by perioikoi. The similarities between Laconian and Messenian types of plaques need not be correlated with the contested ethnic identity of the Messenians. Rather, they should be attributed to the flexibility and variety in their use. The Messenian cults that attracted plaque dedications honoured heroes not necessarily because they were Achaean, but because they were celebrated local mythical or historical figures. Creating a link with the past through heroes was a well-established way to articulate a strong local and communal, but not necessarily ethnic, identity.
Publisher
Cambridge University Press (CUP)
Subject
Archaeology,Visual Arts and Performing Arts,History,Archaeology,Classics
Cited by
4 articles.
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