Style as Politics in the Poems and Novels of Rashīd al-Ḍaʿīf

Abstract

The Lebanese war revealed man to me. It revealed to me that there was no end to evil. Man's capacity to suffer and cause suffering is endless too. War is the cloth which weaves relationships amongst men and nations. When I write, “From your absence comes the evening,” I express the anguish of losing my beloved. This anguish is similar to that caused by war. Fear and anguish provoked by war have also at their root jealousy, desire, ambition, money, success. What is specific about war is that it strips down man and shows him in his absolute nakedness.When Rashīd al-Daʿīf (henceforth, plain text) expressed himself in this fashion in an interview in 1989, several of his novels and poems had already appeared in Beirut. His original voice had started to spread in the intellectual circles of Lebanon and abroad. Al-Daʿif's originality lies precisely in this stripping of human beings, feelings, and things down to absolute nakedness in the midst of a war that tore apart the artist'snation. He expresses himself in a language stripped to its bare essentials, as well, breaking away from the traditional Arabic mode, in which rhetoric and lyricism dominated.