Costanzo Festa'sGradus ad Parnassum

Author:

Agee Richard J.

Abstract

In September of 1536, the papal singer and composer Costanzo Festa wrote a letter to his Florentine patron Filippo Strozzi. Festa, having heard about a music printer in Venice, hoped to contact him there through one of Strozzi's agents. He continued:Have him [the printer] understand that if he wants my works, that is, the hymns [and] the Magnificats, I do not want less than one hundred fifty scudi and, if he wants the basse, two hundred in all. If he wants to print them, he can place the hymns and Magnificats in a large book [choirbook format] like that of the fifteen Masses [Antico's Quindecim missarum, RISM 1516], so that all choirs would be able to make use of them. The basse are good for learning to sing in counterpoint, to compose and to play all instruments.

Publisher

Cambridge University Press (CUP)

Subject

Music

Reference64 articles.

1. Schuler R. J. , ‘The Life and Liturgical Works of Giovanni Maria Nanino (1545–1607)’, 2 vols., diss., University of Minnesota, 1963, passim

2. Mischiati , La prassi, pp. 81–2

3. Haberl F. X. , ‘Giovanni Maria Nanino: Darstellung seines Lebensganges und Schaffens auf Grund archivalischer und bibliographischer Dokumente’, Kirchenmusikalisches Jahrbuch, sechster Jahrgang (1891), pp. 91, 95

4. Lewis M. S. , ‘Antonio Gardane and his Publications of Sacred Music, 1538–55’, diss., Brandeis University, 1979, p. 589

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