Abstract
New digital video technologies are transforming how people everywhere document, publish, and consume information. As knowledge production becomes increasingly oriented towards digital/visual modes of expression, scholars will need new approaches for conducting and publishing research. The purpose of this article is to advance a systematic approach to scholarship calledanalytic filmmaking.I argue that when filming and editing are guided by rigorous social scientific standards, digital video can be a compelling medium for illustrating causal processes, communicating theory-driven explanations, and presenting new empirical findings. I furthermore argue that analytic films offer policymakers and the public an effective way to glean insights from and engage with scholarly research. Throughout the article I draw on examples from my work to demonstrate the principles of analytic filmmaking in practice and to point out how analytic films complement written scholarship.
Publisher
Cambridge University Press (CUP)
Subject
Political Science and International Relations
Cited by
1 articles.
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