Abstract
The article suggests that ‘Composing / Performing / Listening’ may be an inadequate way to categorise musical activities, particularly because any musical activity is a sort of listening. There is a discussion of the educationally crucial difference between ‘audience-listening’ on the one hand, and ‘composition-listening’ and ‘performance-listening’ on the other. It is suggested that musical experience is itself thinking embodied in sound, and that explicit ‘analysis-of-listening’ plays a supportive role.In this light, the article proposes an alternative way to categorise musical activities, and indicates some possible conclusions for the curriculum and for assessment.
Publisher
Cambridge University Press (CUP)
Reference12 articles.
1. GCE and CSE Boards' Joint Council for 16+ National Criteria (1983) Recommended 16+ National Criteria for Music
Cited by
7 articles.
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