Maoist Propaganda: Mere Political Ideology or Vibrant Popular Culture?

Author:

Denton Kirk A.,

Abstract

To regard Chinese popular culture of the Mao era as “propaganda” constructed through the ideological apparatus, is a common approach. However, one can take a different, soberer research position and try to discern other dimensions in the cultural texts of this era. Such a novel, more complex understanding allows us to see vibrant popular culture beyond the obvious ideologically-driven narratives of the Cultural Revolution. The efficacy of this multidimensional view of Maoist popular culture is demonstrated through discussion of several model dramas, especially Red Detachment of Women.

Publisher

L. Zakharova Private Publishing Group

Reference18 articles.

1. Bai, Di. 2010. "Feminism in the Revolutionary Model Ballets The White-Haired Girl and The Red Detachment of Women." In Art in Turmoil: The Chinese Cultural Revolution, 1966-1976, edited by Ralph Croizier, Shentian Zheng, Scott Watson, and Richard King, 188-202, Vancouver: University of British Columbia Press.

2. Chen, Xiaomei. 1999. "Growing Up with Posters in the Maoist Era." In Picturing Power in the People's Republic of China: Posters of the Cultural Revolution, edited by Harriet Evans and Stephanie Donald, 101-122, Lanham, MD: Rowman and Littlefield.

3. Chen, Xiaomei. 2002. Acting the Right Part: Political Theater and Popular Drama in Contemporary China. Honolulu: University of Hawaii Press.

4. Denton, Kirk. 1987. "Model Drama as Myth: A Semiotic Analysis of Taking Tiger Mountain by Strategy." In Drama in the People's Republic of China, edited by Constantine Tung, 119-136, Albany, NY: SUNY Press.

5. Denton, Kirk. 2019a. "Can Private Museums Offer Space for Alternative History? The Red Era Series at the Jianchuan Museum Cluster." In Popular Memories of the Mao Era, edited by Sebastian Veg, 80-111, Hong Kong: Hong Kong University Press.

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