Un/Disclosing Queerness in Akram Zaatari’s Al-ilka al-hamra (2000)

Author:

Eliev Elia1

Affiliation:

1. Thorneloe University at Laurentian

Abstract

My use of queer in this article takes form as a range of acts, identities, expressions, desires, tendencies, affectivities, and sentiments that divert from the practices of heteronormativity in continuously changing and imaginative ways. In the of analysis Al-ilka al-hamra, the aim is not to locate an “authentic” queer subject, which would ultimately fall into a colonialist and liberatory framework, but rather to outline nonhierarchical and denormalizing ways of thinking and organizing gender and sexuality.

Publisher

Intersectional Knowledge Publishers

Reference46 articles.

1. Ahmed, Sarah. 2006. Queer Phenomenology: Orientations, Objects, Others. Durham and London: Duke University Press.

2. Al-Adaileh, Bilal A. 2012. “The Connotations of Arabic Colour Terms.” Linguistica Online (13):35-52.

3. Balaa, Luma. 2019. “Framed: The Door Swings Both Ways in the Lebanese Movie Caramel Directed by Nadine Labaki, Produced by Anne-Dominique Toussaint; Written by Nadine Lebaki, Rodney El Haddad, Jihad Hoiely. Sunnyland Films, Lebanon, May 2007. Running time 96 minutes.” Journal of International Women’s Studies 20 (7): 430-447.

4. Berman, Avis. October 1980. “A Decade of Progress, But Could a Female Chardin Make a Living Today.” Art News 79 (8): 73-79.

5. Chahine, Pascal. 2008. “(Re)Constructing Beirut: Helem and ‘Local’ Homosexualities.” Institute of Islamic Studies, McGill University.

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