Doris Lessing’in Türkü Söylüyor Otlar ve Margaret Atwood’un Evlenilecek Kadın Romanlarında Ataerkil Boyunduruk Altındaki Kadınlar ve Doğa

Author:

AĞIR Barış1ORCID

Affiliation:

1. Osmaniye Korkut Ata Üniversitesi

Abstract

By challenging patriarchal worldviews and anthropocentric ideology and advocating for new, more harmonious relationships among humans, non-humans, and the natural world, ecofeminism tries to understand the connection between genders and environmental degradation. Anthropocentrism and patriarchy are shown to be the primary causes of the oppression of women and the natural world by men, and a biocentric worldview is advocated as a solution. This study, which compares Doris Lessing's The Grass is Singing and Margaret Atwood's The Edible Woman, focuses on the tragic endings shared by women and the natural world in both novels. When reexamined via the lens of ecofeminism, the two works reveal a shared concern for the welfare of women and the natural world, as well as a critique of patriarchal society's destructive effects on both.

Publisher

Journal of International Scientific Researches

Subject

General Engineering

Reference29 articles.

1. Acar, P. (2019). An ecofeminist reading of Herland, The Edible Woman and Woman on the Edge of Time. Master’s Thesis, Celal Bayar University, Manisa.

2. Adams, C. J. & Gruen, L. (2022). Ecofeminist footings. Carol J. Adams & Lori Gruen (Eds), In Ecofeminism: Feminist intersections with other animals and the earth (pp. 1-43). Bloomsbury Academic.

3. Atwood, M. (2010). The Edible Woman. Emblem.

4. Bornancin, E. (2019). Breakdown as breakthrough: Female emancipation in Margaret Atwood’s The Edible Woman and Surfacing. Master’s Thesis, Universita Ca’Foscari Venezia, Venice.

5. Carroll, V. P. (2018). Introduction: Ecofeminist dialogues. Douglas A. Vakoch & Sam Mickey (Eds), In Ecofeminism in dialogue (pp. 1-12). Lexington Books.

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