Complexity Mediated Cross-modal Correspondence between Tone Sequences and Shapes
Author:
Affiliation:
1. Keio University
2. The University of Tokyo
Publisher
Japan Society of Kansei Engineering
Link
https://www.jstage.jst.go.jp/article/ijae/23/2/23_IJAE-D-23-00048/_pdf
Reference41 articles.
1. Adeli, M., Rouat, J., & Molotchnikoff, S. (2014). Audiovisual correspondence between musical timbre and visual shapes. Frontiers in Human Neuroscience, 8. https://doi.org/10.3389/fnhum.2014.00352
2. Beauvois, M. W. (2007). Quantifying Aesthetic Preference And Perceived Complexity For Fractal Melodies. Music Perception: An Interdisciplinary Journal, 24(3), 247–264. https://doi.org/10.1525/mp.2007.24.3.247
3. Biederman, I., & Ju, G. (1988). Surface versus edge-based determinants of visual recognition. Cognitive Psychology, 20(1), 38–64. https://doi.org/10.1016/0010-0285(88)90024-2
4. Bigand, E., Parncutt, R., & Lerdahl, F. (1996). Perception of musical tension in short chord sequences: The influence of harmonic function, sensory dissonance, horizontal motion, and musical training. Perception & Psychophysics, 58(1), 125–141. https://doi.org/10.3758/bf03205482
5. Birkhoff, G. D. (1933). Aesthetic measure. Massachusetts Harvard University Press.
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