The Influence of the Observer’s Expertise on the Aesthetic Evaluation of Dance
Author:
Affiliation:
1. Graduate School of Human Relations, Keio University
2. Keio University
Publisher
Japan Society of Kansei Engineering
Link
https://www.jstage.jst.go.jp/article/jjske/23/1/23_TJSKE-D-23-00050/_pdf
Reference38 articles.
1. [1] Christensen, J. F., Gomila, A., Gaigg, S. B., Sivarajah, N., and Calvo-Merino, B.: Dance expertise modulates behavioral and psychophysiological responses to affective body movement, Journal of Experimental Psychology, Human Perception and Performance, 42(8), pp.1139-1147, 2016.
2. [2] Shikanai, N., Sawada, M., and Ishii, M.: Development of the movements impressions emotions model: Evaluation of movements and impressions related to the perception of emotions in dance, Journal of Nonverbal Behavior, 37, pp.107-121, 2013.
3. [3] Dixon, S.: Digital performance, a history of new media in theater, dance, performance art, and installation, MIT press, 2015.
4. [4] Daprati, E., Iosa, M., and Haggard, P.: A dance to the music of time, aesthetically relevant changes in body posture in performing art, PLoS One, 4(3), e5023, 2009.
5. [5] Stevens, C., Malloch, S., McKechnie, S., and Steven, N.: Choreographic cognition, The time-course and phenomenology of creating a dance: Pragmatics & Cognition, 11(2), pp.297-326, 2003.
1.学者识别学者识别
2.学术分析学术分析
3.人才评估人才评估
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