How I Survived My Dance Training: Rhythm, Tap, and Modern Dance
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Published:2003-12-01
Issue:4
Volume:18
Page:137-140
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ISSN:0885-1158
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Container-title:Medical Problems of Performing Artists
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language:en
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Short-container-title:Medical Problems of Performing Artists
Abstract
I took my first ballet class in 1948 from 72-year-old Charles Purrington in the basement of his house (the Purrington Academy of Dance Art) in the Sugar House neighborhood of Salt Lake City. I was in heaven; I had been begging my parents for years to enroll me in these classes, and
the big day had finally arrived. I remember vividly being told to stand with my left hand on the barre, put my heels together, and aim my feet in 180-degree opposite directions. The messages I absorbed from those early classes were clear: Dance begins with externally perceived positions
of the feet and arms. It is about regimentation and precision.
Publisher
Science and Medicine, Inc.
Subject
History and Philosophy of Science,General Medicine
Cited by
1 articles.
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