1. 1. Michael J. West, “How Jazz Is Coping with Covid-19,” Jazz Times, June 22, 2020, https://jazztimes.com/features/profiles/how-jazz-is-coping-with-covid-19/.
2. 2. Ben Sisario and Giovanni Russonello, “Jazz Lives in Clubs. The Pandemic Is Threatening Its Future,” New York Times, September 8, 2020, https://www.nytimes.com/2020/09/08/arts/music/jazz-clubs-coronavirus.html.
3. 3. See, for example, Karen Burland and Stephanie Pitts, “Rules and Expectations of Jazz Gigs,” Social Semiotics 22, no. 5 (2012): 523–543, and Jed Rasula, “The Media of Memory: The Seductive Menace of Records in Jazz History,” in Jazz Among the Discourses, ed. Krin Gabbard (Durham, NC: Duke University Press, 1995).
4. 4. Dan Tepfer’s blog post about livestreaming, “A Few Things I’ve Learned about Livestreaming,” Dan Tepfer (blog), https://dantepfer.com/blog/, accessed on September 29, 2020.
5. 5. Loren Shokes, “Financing Music Labels in the Digital Era of Music: Live Concerts and Streaming Platforms,” Harvard Journal of Sports and Entertainment Law 7, no. 1 (Winter 2016): 133–149. See also Dylan Smith, “How Much Does Spotify Pay Per Stream,” Digital Music News, August 17, 2020, https://www.digitalmusicnews.com/2020/08/17/how-much-does-spotify-pay-per-stream-latest. For information on the fiscal importance of live concerts today, see, for example, Rolling Stone, “Nine Ways Musicians Actually Make Money Today,” Rolling Stone, August 28, 2012, https://www.rollingstone.com/music/music-lists/nine-ways-musicians-actually-make-money-today-159937/.