The Effects of Sequence on Expressivity in Solo Singing of Young Voices

Author:

Hurley Craig R.12ORCID,Atkins Rebecca L.3ORCID

Affiliation:

1. Ford Elementary, Cobb County School System Acworth, GA

2. Spivey Hall Children's Choir, Clayton State University Morrow, GA

3. Hugh Hodgson School of Music, University of Georgia Athens, GA

Abstract

Abstract Some choral method textbook authors suggest teaching rhythm, pitch, and text first prior to introducing expressive elements (post-expression sequence), while others recommend teaching expressive elements from the beginning alongside rhythm, pitch, and text (infused-expression sequence). The purpose of the current study was to investigate whether the sequence in which a solo singer learns the elements of a song (e.g., rhythm, pitch, text, expression) influences the musical expression (e.g., articulation, dynamics) of their performance in an online setting. Participants included 58 fifth through eighth graders from three elementary schools and three middle schools located in the southeast United States. Participants learned two different songs at home from a digital recording under two different sequences (infused-expression, post-expression). Results showed that when students learned a song using an infused-expression sequence they performed more expressively than students who learned a song using a post-expression sequence. Introducing expressive elements early resulted in a more expressive performance. Implications for the use and benefits of infused-expression sequencing as well as future research will be discussed.

Publisher

University of Illinois Press

Subject

Music,Education

Reference33 articles.

1. Individual expressive performance: Its relationship to ensemble achievement, technical achievement, and musical background;Broomhead;Journal of Research in Music Education,2001

2. Broomhead, P. (2006). A study of instructional strategies for teaching expressive performance in the choral rehearsal. Bulletin of the Council for Research in Music Education, 167, 7–20. https://www.jstor.org/stable/40319286

3. Children's singing accuracy as a function of grade level, gender, and individual versus unison singing;Cooper;Journal of Research in Music Education,1995

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