Cutting the Gordian knot. The iconography of Megaron 2 at Gordion

Author:

Berndt Susanne1ORCID

Affiliation:

1. Stockholm University

Abstract

This article examines the incised drawings of Early Phrygian Gordion, and in particular those of Megaron 2. Aspects of their iconographic and archaeological contexts are taken in to consideration, as well as literary sources and especially the story of the Gordian knot. The focus of the study is a series of incised labyrinths, which have hitherto not been recognized as such, but which are of particular interest for the analysis of this building. The myth of Theseus and the Minotaur in the labyrinth helps to throw light on both the images of Megaron 2 but also on the story of the Gordion knot, and how these are interlinked with each other. It is suggested that Ariadne’s ball of thread and the Gordian knot are two different expressions of a similar concept; both represent sovereignty provided by a Goddess. Megaron 2 seems to have been a building that was intimately connected with both the king and the Phrygian Mother Goddess.

Publisher

Editorial Committee of the Swedish Institutes at Athens and Rome (ECSI)

Subject

Archeology,Visual Arts and Performing Arts,History,Archeology,Classics

Reference125 articles.

1. Åkerström, Å. 1966. Die architektonischen Terrakotten Kleinasiens (ActaAth-4º, 11), Lund.

2. Arnold, D. 1979. ‘Das Labyrinth und seine Vorbilder’, MDIK 35, 1–9.

3. Beekes, R. 2002. ‘The prehistory of the Lydians, the origin of the Etruscans, Troy and Aeneas’, BibO 59, 205–241.

4. Berndt-Ersöz, S. 2006. Phrygian rock-cut shrines. Structure, function and cult practice (Culture and History of the Ancient Near East, 25), Leiden & Boston.

5. Berndt-Ersöz, S. 2008. ‘The chronology and historical context of Midas’, Historia 57, 1–37.

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