Introduction

Author:

Williams Rebecca1

Affiliation:

1. University of South Wales

Abstract

This chapter argues for a move away from the notion of theme-park visitors as naïve, controlled and duped into excessive consumption, and for approaches that take seriously the range of ways that theme park fans form active, reflective and pleasurable attachments to theme parks and their rides, attractions, and experiences. It argues that a Fan Studiescentric approach allows better understanding of how and why people become fans of theme parks and their attractions, and develop emotional and affective connections to these, whilst being acutely aware of the consumerist nature of the themed environment. Offering an overview of the chapters that follow, the chapter also provides a summary of the book’s central arguments.

Publisher

Amsterdam University Press

Reference147 articles.

1. Aden, Roger C., Popular Stories and Promised Lands: Fan Cultures and Symbolic Pilgrimages (Alabama: University of Alabama Press, 1999).

2. Affuso, Elizabeth, ‘Everyday Costume: Feminized Fandom, Retail, and Beauty Culture’, in The Routledge Companion to Media Fandom, edited by Melissa A. Click and Suzanne Scott (London and New York: Routledge, 2018), pp. 184–192.

3. Affuso, Elizabeth and Avi Santo, ‘Mediated Merchandise, Merchandisable Media: An Introduction’, Film Criticism, 42, 2 (2018), accessed 11 December 2018. https://quod.lib.umich.edu/f/fc/13761232.0042.201?view=text;rgn=main

4. Alderman, Daniel, ‘Writing on the Graceland Wall: On the Importance of Authorship in Pilgrimage Landscapes’, Tourism Recreation Research, 27, 2, (2002), 27–35.

5. Ali, Faizan, Woo Gon Kim, Jun Li, and Hyeon-Mo Jeon, ‘Make it Delightful: Customers’ Experience Satisfaction and Loyalty in Malaysian Theme Parks’, Journal of Destination Marketing and Management, 7, 1 (2018), 1–11.

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