Conclusion: Ways Forward for Theme Park and Fan Studies

Author:

Williams Rebecca1

Affiliation:

1. University of South Wales

Abstract

This chapter reiterates how theme parks offer a crucial site for the exploration of transmediality and the development of paratexts, offering an ongoing site for analysis of the intersections between fandom, media texts, and merchandise, as well as fans’ own affective and physical responses to visiting the parks. It highlights the ongoing commercial and economic value of themed spaces and the continuing expansion of such sites around the world. Arguing for a move away from Western-centric views of themed spaces and transmedia theory, the chapter concludes by proposing avenues for the future of studying theme park spaces, their fans, and the ongoing tensions that occur when fans of themed spaces and their intellectual properties come into proximity with one another.

Publisher

Amsterdam University Press

Reference45 articles.

1. Ali, Faizan, Woo Gon Kim, Jun Li, and Hyeon-Mo Jeon, ‘Make it Delightful: Customers’ Experience Satisfaction and Loyalty in Malaysian Theme Parks’, Journal of Destination Marketing and Management, 7, 1 (2016), 1–11.

2. Baker, Carissa Ann, ‘Universal’s Wizarding World of Harry Potter: A Primer in Contemporary Media Concepts’, in Harry Potter and Convergence Culture: Essays on Fandom and the Expanding Potterverse, edited by Amanda Firestone and Leisa A. Clark (Jefferson, North Carolina: McFarland, 2018), pp. 55–66.

3. Balides, Constance, ‘Jurassic Post-Fordism: Tall Tales of Economics in the Theme Park’, Screen, 41, 2 (2000), 139–160.

4. Banet-Weiser, Sarah, The Most Beautiful Girl in the World: Beauty Pageants and National Identity (Berkeley, CA: University of California Press, 1999).

5. Bell, David, ‘Preface: Thinking About Theme Parks’, in Culture and Ideology at an Invented Place, written by Pinggong Zhang (Cambridge: Cambridge Scholars, 2007), pp. ix-xii.

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