The Boonchu Comedy Series

Author:

Khuankaew Sasinee1

Affiliation:

1. Chiang Mai University

Abstract

Research on Thai films after the 1997 economic crash identifies a strong nostalgia for unblemished Thai traditions, ones particularly represented through the countryside and the ideal rural family unit. However, this chapter aims to investigate the comedic Boonchu film series, dating from 1988 to 1996, to address how these films also valorize rural Thailand, a scenario constructed as real ‘Thainess.’ The chapter examines localism, a discourse promoted by the series as a means to undermine modernization, so revealing considerable anxiety around cultural and economic transformation. Nonetheless, the chapter argues that while the series idealizes rural identity as a means to defend Thai cultural values, it also offers a negotiation (rather than a rejection) of various influences of modernity.

Publisher

Amsterdam University Press

Reference24 articles.

1. Ainslie, Mary J. 2017. ‘Post-war Thai Cinema.’ Film International 15: 6-19. https://doi.org/10.1386/fiin.15.2.6_1.

2. Andaya, Barbara Watson. 2002. ‘Localising the Universal: Women, Motherhood and the Appeal of Early Theravada Buddhism.’ Journal of Southeast Asian Studies 33(1): 1-30. https://doi.org/10.1017/S0022463402000012.

3. Baker, Chris, and Phongpaichit, Pasuk. 2005. A History of Thailand. Port Melbourne: Cambridge University Press.

4. Bechstedt, Hans-Dieter. 2002. ‘Identity and Authority in Thailand.’ In Reynolds, Craig J. (ed.) National Identity and Its Defenders: Thailand Today, pp. 238-261. Chiang Mai: Silkworm Books.

5. Cook, Nerida, and Jackson, Peter A. 2003. ‘Desiring Constructs: Transforming Sex/ Gender Orders in Twentieth-Century Thailand.’ In Somswasdi, V., and Nicholas, A. (eds) A Collection of Articles on Sex, Dating, and Marriage in Thailand, pp. 1-27. Chiangmai: Foundation for Women, Law, and Rural Development (FORWARD) and Women’s Studies Center, Faculty of Social Sciences, Chiang Mai University.

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