Making an Emotional ‘History of the People’

Author:

Melchior Inge1

Affiliation:

1. the VU University Amsterdam

Abstract

Chapter 1 explores how historians, political elites, and cultural figures since the National Awakening have been involved in the writing of a ‘collective story of Estonians’. The chapter shows why ‘Estonia’s story’ has become an emotional story of rupture. The independence activists of the Singing Revolution, being non-political actors, have mobilized a sense of collective responsibility among the masses for creating and preserving the nation. As ‘a people’ they wrote a new national history, literally based on Estonians’ personal stories. Since the late 1990s, the intellectual and cultural elite increasingly voice a more open, critical narrative, while remaining loyal to the former independence activists and their family’s stories. In politics a fairly non-pluralist narrative of rupture prevails.

Publisher

Amsterdam University Press

Reference154 articles.

1. Aarelaid-Tart, A. (2006). Cultural trauma and life stories. Helsinki: Kikimora Publications.

2. Abrahams, R.D. (1993). Phantoms of Romantic Nationalism in Folkloristics. Journal of American Folklore, 106(419), 3-37.

3. Alatalu, R. (2012). Responsible local communities in historic inner city areas: Historic Centre (Old Town) of Tallinn, Estonia. In A. Galla (Ed.), World Heritage: benefits beyond borders (pp. 121-131). Cambridge: Cambridge University Press.

4. Anderson, B. (1983). Imagined Communities. London: Verso.

5. Anepaio, T. (2002). Reception of the topic repressions in the Estonian society. Pro Ethnologia, 14, 47-66.

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