1. Giorgio Agamben, ‘Notes on Gesture’ (1991), in Means Without End. Notes on Politics, trans. by Vincenzo Binetti and Cesare Cesarino (Minneapolis/London: University of Minnesota Press, 2000).
2. Stefan Andriopoulos, ‘Psychic Television’, Critical Inquiry 313 (2005): 618-637.
3. Béla Balázs, ‘Visible Man’ (1924), in Early Film Theory. Visible Man and The Spirit of Film, ed. by Erica Carter, pp. 1-90, (New York: Bergham Books, 2010).
4. Jacques Aumont (ed.), Jean Epstein. Cinéaste, poète, philosophe (Paris: Cinémathèque Française, 1998).
5. Gilles Deleuze, Cinema 1 – The Movement-Image (1983), trans. by Hugh Tomlinson and Barbara Habberjam (London: The Athlone Press, 1986).