Music Videos as Protest Communication: The Gezi Park Protest on YouTube

Author:

Jenzen Olu1,Erhart Itir2,Eslen-Ziya Hande3,Güçdemir Derya,Korkut Umut4,McGarry Aidan5

Affiliation:

1. the University of Brighton, the Research Centre for Transforming Sexuality and Gender

2. Istanbul Bilgi University

3. the University of Stavanger

4. Glasgow Caledonian University

5. Loughborough University, www.aidanmcgarry.com, www.aestheticsofprotest.com

Abstract

This chapter explores the relevance of the protest song as political communication in the Internet era. Focusing on the prolific and diverse YouTube music video output of the Gezi Park protest of 2013, we explore how digital technologies and social media offer new opportunities for protest music to be produced and reach new audiences. We argue that the affordances of digital media and Internet platforms such as YouTube play a crucial part in the production, distribution and consumption of protest music. In the music videos, collected from Twitter, activists use a range of aesthetic and rhetorical tools such as various mash-up techniques to challenge mainstream media reporting on the protest, communicate solidarity, and express resistance to dominant political discourse.

Publisher

Amsterdam University Press

Reference42 articles.

1. Airoldi, Massimo, Davide Beraldo, and Alessandro Gandini. 2016. ‘Follow the Algorithm: An Exploratory Investigation of Music on YouTube’, Poetics 57: 1-13.

2. Arat, Yeşım. 2013. ‘Violence, Resistance, and Gezi Park’, International Journal of Middle East Studies 45(4): 807-809.

3. Askanius, Tina. 2013. ‘Online Video Activism and Political Mash-up Genres’, JOMEC Journalism, Media and Cultural Studies 4. http://portal.research.lu.se/ws/files/4197460/4180639.pdf. Accessed 31.03.19.

4. Atak, Kıvanç. 2013. ‘From Malls to Barricades: Reflections on the Social Origins of Gezi’, paper presented at the symposium Rebellion and Protest from Maribor to Taksim Social Movements in the Balkans, Graz, Austria, 12-14 December.

5. Baker, Geoffrey. 2011. ‘Preachers, Gangsters, Pranksters: MC Solaar and Hip-hop as Overt and Covert Revolt’, Journal of Popular Culture 44(2): 233-255.

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