Abstract
The close friendship shared by Vittoria Colonna and Michelangelo inspired
the production of intimate gifts in the form of sonnets and presentation
drawings. These works exercised a considerable fascination over their
contemporaries, who sought to obtain copies of the poems and drawings in
a variety of different media. Both individually crafted and mass produced,
these copies possessed multiple valences for different audiences, revealing
the ways in which the relationship between original and copy, function
and medium, collecting and devotion intersected in the Cinquecento.
This chapter explores the ways in which sonnets and drawings were
appropriated by broader audiences, focusing especially on the translation
of Michelangelo’s Pietà drawing into bronze paxes created for popular,
liturgical use.
Publisher
Amsterdam University Press