Cinema Hangs Tough

Author:

Gaudreault André1,Marion Philippe2

Affiliation:

1. Université de Montréal

2. Catholic University of Louvain

Abstract

Starting from a new formulation to the end of cinema issue – “What remains of cinema?” – Gaudreault and Marion answer: “cinema is hanging tough” and argue that the “resilience” of cinema depends on what we are talking about with this word both in terms of digitalization and cultural differences. They examine the different hypotheses arising in this regard from the point of view of the range of words it mobilizes (cinema, movie, moving images, and so on). Differences in naming are “highly significant” as we can observe in a Bogdanovitch-Welles dialogue or at the occasion of the Netflix controversy during the recent Cannes or Venice festivals.

Publisher

Amsterdam University Press

Reference27 articles.

1. Aumont, Jacques. 2012. Que reste-t-il du cinéma? Paris: Vrin.

2. Barthes, Roland. 1961. “Première conférence internationale sur l’information visuelle (Milan, 9-12 juillet 1961).” Communications 1: 223-225. http://www.persee.fr/web/ revues/home/prescript/article/comm_0588-8018_1961_num_1_1_938.

3. Barthes, Roland. 1977. “Language … Is Quite Simply: Fascist.” Inaugural lesson as the Chair of Literary Semiology at the Collège de France, January 7. http://egophelia.free. fr/pouvoir/barthes.htm.

4. Bellour, Raymond. 2012. La querelle des dispositifs. Cinéma – installations, expositions. Paris: P.O.L.

5. Binet, Laurent. (2015) 2017. The Seventh Function of Language. Translated by Sam Taylor. New York: Farrar, Straus and Giroux.

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