Abstract
Since antiquity, motion had been a key means of designing and describing the physical
environment. During the sixteenth through the eighteenth centuries, however,
individuals across Europe increasingly designed, experienced, and discussed a
new world of motion – one characterized by continuous, rather than segmented,
movement. This chapter examines the shift from segmented to continuous motion
in order to establish the architectural and cultural historical context for the
following eight essays. It considers how architects and other authors stressed ever
more putting individuals in motion through new types of built spaces and through
new approaches to architectural treatises and guidebooks, while writers in other
discourses encompassing science, medicine, and philosophy debated movements
at all scales from the heliocentric universe to vibrating atoms.
Publisher
Amsterdam University Press