Digital Technology: A Step to Protect Cave Art of Indian Subcontinent as National Heritage – A Review

Author:

Ghosh Biyas1,Singh Rajdeo2,Sawant Madhuri2

Affiliation:

1. 235037 National Research Laboratory for Conservation of Cultural Property , Mysore 570001 , India

2. Department of Tourism Administration , 29407 Dr Babasaheb Ambedkar Marathwada University , Aurangabad 431004 , India

Abstract

Abstract The integration of digital technology, particularly virtual reality, is proving to be a pivotal tool in preserving and sharing the rich cultural heritage found within Cave art sites. This article deliberates on the use and application of digital technology in the field of cave painting conservation that provides an authentic and effective method of Cave art preservation for the future. Employing advanced techniques of photogrammetry, terrestrial laser scanning, structured light scanning, and high-resolution photography can digitally preserve the intricate details of Cave art, while the utilization of humidity, temperature, and CO2 sensors may provide a comprehensive digital monitoring system to track the condition of Cave art over time. This paper deals with the evolving landscape of technologies and their application to safeguard Cave art from environmental degradation and anthropogenic factors. The digitization of cave art has the potential to accurately conserve a site if used in an effective manner while also allowing visitors to experience this art form in ways never before feasible. The application of advanced digital technology in cave art conservation is not merely a choice but a necessity, considering the impermanent nature of these paintings in their natural environment. This paper underscores the urgency and significance of leveraging digital tools to ensure the enduring legacy of Cave art, an example of how digital technologies, as they evolve, will play an increasingly essential role in the conservation and dissemination of our world’s extraordinary cultural heritage.

Publisher

Walter de Gruyter GmbH

Reference104 articles.

1. Agnew, N., J. Deacon, N. K. Hall, T. Little, S. Sullivan, and P. S. C. Taçon. 2015, Rock Art: A Cultural Treasure at Risk. Los Angeles: Getty Conservation Institute.

2. Agnew, N., M. Reed, and T. Ball, eds. 2016. Cave Temples of Dunhuang: Buddhist Art on China’s Silk Road. Los Angeles: Getty Publications.

3. Alberts, H. C., and H. D. Hazen. 2010. “Maintaining Authenticity and Integrity at Cultural World Heritage Sites.” Geographical Review 100 (1): 56–73.

4. Anati, E. 1993. “World Rock Art: The Primordial Language.” CiNii Research.

5. Anderson, H., E. Galvin, and J. de Torres Rodriguez. 2018. “Museological Approaches to the Management of Digital Research and Engagement: The African Rock Art Image Project.” African Archaeological Review 35: 321–37. https://doi.org/10.1007/s10437-018-9280-8.

同舟云学术

1.学者识别学者识别

2.学术分析学术分析

3.人才评估人才评估

"同舟云学术"是以全球学者为主线,采集、加工和组织学术论文而形成的新型学术文献查询和分析系统,可以对全球学者进行文献检索和人才价值评估。用户可以通过关注某些学科领域的顶尖人物而持续追踪该领域的学科进展和研究前沿。经过近期的数据扩容,当前同舟云学术共收录了国内外主流学术期刊6万余种,收集的期刊论文及会议论文总量共计约1.5亿篇,并以每天添加12000余篇中外论文的速度递增。我们也可以为用户提供个性化、定制化的学者数据。欢迎来电咨询!咨询电话:010-8811{复制后删除}0370

www.globalauthorid.com

TOP

Copyright © 2019-2024 北京同舟云网络信息技术有限公司
京公网安备11010802033243号  京ICP备18003416号-3