Fixing the Address: Slow Appraisal and the Making of the Centre for Aboriginal Studies in Music (CASM) Archive
Author:
Affiliation:
1. The University of Melbourne , Melbourne , Australia
2. The University of Adelaide , Adelaide , Australia
3. Université de Genève , Geneva , Switzerland
Abstract
Publisher
Walter de Gruyter GmbH
Subject
Library and Information Sciences,Computer Science Applications,Conservation
Link
https://www.degruyter.com/document/doi/10.1515/pdtc-2021-0024/pdf
Reference30 articles.
1. Bettington, J., K. Eberhard, R. Loo, C. Smith, and Australian Society of Archivists, eds. 2008. Keeping Archives. Sydney: Australian Society of Archivists.
2. CAAMA Music (Producer). 1990. Loud, Play Strong. Alice Springs: CAAMA Music.
3. Christen, K., and J. Anderson. 2019. “Toward Slow Archives.” Archival Science 19: 87–116, https://doi.org/10.1007/s10502-019-09307-x.
4. Corn, A. 2011. “Treaty Now: Popular Music and the Indigenous Struggle for Justice in Contemporary Australia.” In Popular Music and Human Rights 2: World Music, edited by I. Peddie, 17–26. Farnham: Ashgate.
5. Corn, A. 2021. “The Aboriginal Artists Agency and the Prominence of Indigenous Music and Dance in the Growth of the Australian Arts Industry.” Musicology Australia, https://doi.org/10.1080/08145857.2020.1945252.
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