Semiotics of Clothes in Postcolonial Literature

Author:

Sharify Somaye1,Maleki Nasser2

Affiliation:

1. PhD candidate in English Literature, Razi University, Kermanshah, Iran

2. English Department, Razi University, Kermanshah, Iran

Abstract

AbstractThe present study intends to examine the link between clothes and cultural identities in Jhumpa Lahiri’s “Hema and Kaushik” (2008). It will argue that Lahiri explores her protagonists’ cultural displacement through their items of clothing. We want to suggest that the protagonists’ clothes are employed in each narrative as signifiers for the characters’ cultural identities. The study will further show that each item of clothing could be loaded with the ideological signification of two separate cultures. In other words, it aims to demonstrate how ideology imposes its values, beliefs, and consequently its dominance through the dress codes each defines for its subjects. Moreover, it intends to suggest that the link between clothing and identity is most visible and intense in the case of female immigrant characters rather than men. Drawing on Luptan’s structure of the Cinderella line, we will explore Lahiri’s protagonists’ cultural transformation from simple ethnic girls to stylish American ladies through their items of clothing. The study will conclude that the “Cinderella line” does not work in Lahiri’s realistic stories the way it does in fairy tales and romance fiction.

Publisher

Walter de Gruyter GmbH

Subject

Communication,Language and Linguistics

Reference36 articles.

1. Clothes and closure in three novels by Black women;Women Writers,1986

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