Painting, Interpretation, Education: Tables of Knowledge in the Imagines of Philostratus the Athenian

Author:

Bakke Jørgen1

Affiliation:

1. Department of Linguistic, Literary, and Aesthetic Studies, University of Bergen , N-5007 Bergen , Norway

Abstract

Abstract This article shows how the descriptions of paintings (Imagines) by the ancient Greek author Philostratus (third century AD) can be viewed as pedagogical tools in the introduction to higher education. Philostratus presented his descriptions in the context of a tour in a picture gallery for young students. In the study presented here, the pedagogical context is taken seriously. With the means of three examples, the study shows how Philostratus uses his descriptions to guide his students into the interpretation of paintings, agriculture, and astronomy. Rather than simply present exemplary rhetorical descriptions of paintings as one would expect a rhetorical teacher to do, Philostratus uses paintings as pedagogical working tables where students can view simplified versions of complex fields of knowledge, an approach that is not unlike the visual presentation of introductory knowledge on old-fashioned cardboard wallcharts in modern schools.

Publisher

Walter de Gruyter GmbH

Subject

General Social Sciences,General Arts and Humanities

Reference60 articles.

1. Alberti, Leon Battista. On Painting, translated by Cecil Grayson, Penguin Books, 1972.

2. Anderson, Graham. Philostratus: Biography and Belles Lettres in the Third Century A.D. Croom Helm, 1986.

3. Aristotle. Politics, translated by Harris Rackham, Harvard University Press, 1932.

4. Athenaeus. The Learned Banqueters. Vol. 1, translated by S. Duglas Olson, Harvard University Press, 2007.

5. Bachmann, Cordula. Wenn man die Welt als Gemälde betracht: Studien zu den “Eikones” Philostrats des Älteren. Verlag Antike, 2015.

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