How I Met Your Fans: A Comparative Textual Analysis ofHow I Met Your Motherand Its Reboots

Author:

Kocak Can1

Affiliation:

1. Media and Cultural Studies, University of Sussex , Brighton , United Kingdom

Abstract

AbstractSinceHow I Met Your Mother(HIMYM) ended in 2014 with its ninth season, there have been multiple attempts to create a new series based on a similar premise – one parent telling their kid(s) how they met their other parent.How I Met Your Dad(HIMYD), which was planned to begin in 2014 right after HIMYM’s final, was not picked up by any network, whileHow I Met Your Father(HIMYF), which started airing in 2022, is continuing a successful [Upon its release, the show, whose premiere was watched in 420 K households, held the fifth place on the TV time charts and went on to stay on the list for four more weeks (The Entertainment Strategy Guy).] run, currently in its second season. This article compares the narrative and narration of the first episodes of these three series, including themes, recurring jokes, sound and visual effects, introductions of important characters and the “missing” parent, as well as the use of cameos. By doing this, it aims to delve into the reason behind why one of these reboot attempts was favoured over the other. The answer is provided as the difference between the amount of fan service in HIMYD and HIMYF, with the latter establishing more direct connections with HIMYM. In addition to becoming a rather common tendency by creatives, this article claims that fan service also seems to be used by networks and production companies as a way of ensuring audience engagement.

Publisher

Walter de Gruyter GmbH

Subject

General Social Sciences,General Arts and Humanities

Reference40 articles.

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2. Beaty, Bart. “Superhero Fan Service: Audience Strategies in the Contemporary Interlinked Hollywood Blockbuster.” The Information Society, vol. 32, no. 5, 2016, pp. 318–25.

3. Burt, Kayti. “How Paul McGuigan Crafted the Visual Language of Sherlock,” Den of Geek. August 2020, p. 5. https://www.denofgeek.com/tv/sherlock-visual-language-director-paul-mcguigan/.

4. Can, Orcun. “The Bingeable Ms Gilmore: A Comparative Analysis of Narrative Structure in Broadcast TV Show ‘Gilmore Girls’ and Netflix Original Show ‘Gilmore Girls: A Year in the Life’.” Binge-Watching and Contemporary Television Research, edited by Mareike Jenner, Edinburgh University Press, 2021.

5. Chatman, Seymour. Story and Discourse: Narrative Structure in Fiction and Film. Cornell University Press, 1978.

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