From the Visual to the Auditory in Heidegger’s Being and Time and Augustine’s Confessions

Author:

Fuyarchuk Andrew1

Affiliation:

1. Department of Liberal Arts, Yorkville University , Toronto , Canada

Abstract

Abstract Studies about the influence of sound and ambient environments on understanding and the affects, prior to intentional acts of consciousness, are employed to rectify self-fragmentation exemplified in Heidegger and Augustine. Due to a visual bias that suppresses his auditory disposition in Being and Time, Heidegger gestures toward Dasein’s fulfillment in social-being yet also recoils from it. To ameliorate this impasse, his underdeveloped modification of existence is revisited by way of Augustine’s attunement to rhetoricity during his conversion experience. As a result of embracing a shared ambient space, he brings care for others as oneself into the realm of “the with” and thereby verifies the significance of an auditory way of being-in-the-world to the formation of communities.

Publisher

Walter de Gruyter GmbH

Reference52 articles.

1. Augustine, Saint. The Confessions, translated by Maria Boulding. New York: Vintage Spiritual Classics, 1997.

2. Backman, Jussi. “Towards a Genealogy of the Metaphysics of Sight: Seeing, Hearing, and Thinking in Heraclitus and Parmenides.” In Phenomenology and the Metaphysics of Sight, edited by Antonio Cimino and Pavlos Kontos, 11–34. Leiden: Brill, 2015.

3. Brogan, Walter. “The Place of Aristotle in the Development of Heidegger’s Phenomenology.” In Reading Heidegger From the Start, edited by Theodore Kisiel and John van Buren, 213–27. New York: State University of New York Press, 1994.

4. Carman, Taylor. Heidegger’s Analytic. Cambridge: Cambridge University Press, 2007.

5. Caputo, John. “Toward a Postmodern Theology of the Cross: Augustine, Heidegger, Derrida.” In Postmodern Philosophy and Christian Thought, edited by Merold Westphal, 202–25. Bloomington, Indiana: Indiana University Press, 1999.

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