Vaccine as a Sociocultural Artefact: The Example of Locally Produced Polio Vaccine in Serbia

Author:

Trifunović Vesna1

Affiliation:

1. Institute of Ethnography, Serbian Academy of Sciences and Arts , Belgrade , Serbia

Abstract

Abstract The paper argues that vaccines could be viewed as artifacts which communicate various social messages and are used as instruments for fulfilling different sociopolitical goals besides meeting public health needs. It further suggests that such social, cultural and political influences may have real effects on the choices of vaccine technologies or vaccine production, and aims to demonstrate their importance in the area which is normally seen as the domain of objective science. This is demonstrated by using the example of the locally produced oral polio vaccine (OPV) in Serbia during the socialist and post-socialist periods in the country’s history.

Publisher

Walter de Gruyter GmbH

Reference21 articles.

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2. Bhattacharya, Sudip, Sheikh Mohd Salim, Deep Shikha, Ozden Gokdemir, and Kedar Mehta. 2021. “Role of Vaccine Science Diplomacy in Low-Middle-Income Countries for Eradicating the Vaccine-Preventable Diseases: Targeting the ‘LAST MILE’.” Journal of Family Medicine and Primary Care 10 (8): 2739–44.

3. Blume, Stuart. 2005. “Lock in, the State and Vaccine Development: Lessons from the History of the Polio Vaccines.” Research Policy 34: 159–73.

4. Blume, Stuart. 2008. “Towards a History of ‘The Vaccine Innovation System’ 1950-2000.” In Biomedicine in the 20th Century. Practices, Policies, and Politics, edited by Caroline Hannaway, 255–86. Amsterdam, Berlin: IOS Press.

5. Blume, Stuart. 2017. “The Erosion of Public Sector Vaccine Production: The Case of the Netherlands.” In The Politics of Vaccination: A Global History, edited by Christine Holmberg, Stuart Blume, and Paul Greenough, 148–73. Manchester: Manchester University Press.

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