Postsocialist Statuary Politics in Romania and Bulgaria: An Ambivalent Socialist Heritage

Author:

Preda Caterina1ORCID

Affiliation:

1. Department of Political Sciences , University of Bucharest , Bucharest , Romania

Abstract

AbstractUsing an approach situated at the intersection of cultural memory studies and (critical) heritage studies, with a focus on the ambivalent socialist heritage of socialist statues and monuments and their changing role in postsocialist public spaces, this article engages with the postcommunist strategies of reckoning with the past in Romania and Bulgaria in the period 1990–2020. Comparing the kinds of monumental memory of communism that were established in these countries, the author discusses how each dealt with their ambivalent socialist heritage through a public memory policy comprising three combined strategies: removal; preservation; and the replacement of communist heroes with anticommunist counter-monuments. The author concludes that stances toward the socialist heritage manifest various tensions in terms of the types of statues that were removed or, alternately, allowed to remain; of the opposition between local and national decisions as well as between the official approach and citizens’ perspectives; and, finally, of aesthetic versus political criteria.

Publisher

Walter de Gruyter GmbH

Subject

General Medicine

Reference67 articles.

1. Auji, H. 2022. “On Ruins: The Art and Politics of Architectural Heritage.” International Journal of Islamic Architecture 11 (1): 15–21.

2. Balockaite, R. 2012. “Coping with the Unwanted Past in Planned Socialist Towns: Visaginas, Tychy, and Nowa Huta.” Slovo 24 (1): 41–57.

3. Belcheva, I. 2017a. “State Commissions and Artistic Limits in 1950s Bulgaria: The Case of Lyubomir Dalchev.” In The State Artist in Romania and Eastern Europe: The Role of the Creative Unions, edited by C. Preda, 327–46. Bucuresti: Editura Universității din București.

4. Belcheva, I. 2017b. “‘Sculptural Graveyards’: Park-Museums of Socialist Monuments as a Search for Consensus.” In Discussing Heritage and Museums: Crossing Paths of France and Serbia, Choice of Articles from the Summer School of Museology Proceedings, edited by D. Poulot, and I. Stanković, 100–18. Paris: HiCSA.

5. Belcheva, I. 2021. “Palimpsestes mémoriels: démantelements et résurgences de deux monuments en Bulgarie postsocialiste.” RACAR: Revue d’art Canadienne / Canadian Art Review 46 (2): 21–33.

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