Didactic Panel Illustrating Light Exposure Effects
Author:
Affiliation:
1. Conservation of Works of Art on Paper, Archives and Library Materials, Stuttgart State Academy of Art and Design , Stuttgart , Germany
Abstract
Publisher
Walter de Gruyter GmbH
Subject
General Materials Science,Media Technology,Conservation
Link
https://www.degruyter.com/document/doi/10.1515/res-2022-0027/pdf
Reference22 articles.
1. Art Institute of Chicago. 2013. Inv. Nr. 1933.1244. Also available at https://archive.artic.edu/homer/resource/572 (accessed November 11, 2022).
2. Berrie, B. H., and Y. Strumfels. 2017. “Change Is Permanent: Thoughts on the Fading of Cochineal-Based Watercolor Pigments.” Heritage Science 30 (5): 1, https://doi.org/10.1186/s40494-017-0143-4.
3. Berrie, B., F. Casadio, K. Dahm, Y. Strumfels, M. Tedeschi, and J. Walsh. 2014. “A Vibrant Surface: Investigating Color, Texture and Transparency in Winslow Homer’s Watercolors.” In Science And Art: The Painted Surface, edited by A. Sgamellotti, B. Brunetti, and C. Miliani, 404–28. Cambridge: Royal Society of Chemistry.
4. Börngen, M., N. Quabeck, E. Hummert, I. Brückle. 2017. “Thomas Hirschhorn’s Collages in the ‘Intensif-Station.” Journal of Paper Conservation 18 (3): 81–90, https://doi.org/10.1080/18680860.2017.1428479.
5. Bromelle, N. S. 1964. “The Russell and Abney Report on the Action of Light on Water Colours.” Studies in Conservation 9 (4): 140–52.
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