Difficult Women: Changing Representations of Female Characters in Contemporary Television Series

Author:

Hohenstein Svenja1,Thalmann Katharina1

Affiliation:

1. American Studies , University of Tübingen , Wilhelmstr. 50 , 72074 Tübingen , Germany

Abstract

Abstract Starting out with a brief overview of recent TV series that feature complex and complicated female characters – or, as we call them, ‘difficult women’ – this introduction investigates the changing manner in which women have been represented on TV in previous decades. Demonstrating that especially TV shows of the 2010s undermine and work against traditional and stereotypical portrayals of women on TV and instead establish feminist discourses, we argue that this time period can be defined as a pivotal moment with regard to changing representations of women on TV. Using Netflix’s Orange Is the New Black as an example, we also show that TV series that feature difficult women make use of the very techniques and conventions of what Jason Mittell has described as ‘Complex TV’ in order to consciously engage with questions of female representation on TV and to create a feminist discourse that works against sexist tropes and stereotypes.

Publisher

Walter de Gruyter GmbH

Subject

Literature and Literary Theory,Linguistics and Language,Language and Linguistics

Reference32 articles.

1. Allrath, Gaby, Marion Gymnich, and Carola Surkamp (2005). “Introduction: Towards a Narratology of TV Series.” Gaby Allrath and Marion Gymnich, eds. Narrative Strategies in Television Series. New York, NY: Palgrave, 1–45.

2. “Appropriately Sized Pots” (2014). Dir. Daisy von Scherler Mayer. Orange Is the New Black. Netflix.

3. Artt, Sarah and Anne Schwan (2016). “Screening Women’s Imprisonment: Agency and Exploitation in Orange Is the New Black.” Television & New Media 17.6, 467–472.

4. Barak, Katie Sullivan (2016). “Jenji Kohan’s Trojan Horse: Subversive Uses of Whiteness.” April Kalogeropoulos Householder and Adrienne Trier-Bieniek, eds. Feminist Perspectives on Orange Is the New Black: Thirteen Critical Essays. Jefferson, NC: McFarland, 45–60.

5. “Be Free” (2018). Dir. Nick Sandow. Orange Is the New Black. Netflix.

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