Affiliation:
1. 1Creative Semiotics – Studio 24, Westbourne Studios 242, Acklam Road, London W105JJ
Abstract
AbstractIn this paper, the author sets out a brief account of how you become a semiotician, breaking it down in terms of motivations and competences. This is a paper written from the personal experience of the author. It is not meant to be prescriptive or to offer any sort of orthodoxy. The catalyst for the paper was frustration with the dearth of writing on this topic. The paper argues that the process of becoming is not just about acquiring knowledge or cognitive ability but also involves personal values and self-identity. It also seeks to dethrone the place of theory as predominant, arguing that interpretive practice relies as much upon a repertoire of aptitudes and techniques of reading and other soft skills. Theory acquisition in itself is simply not enough. In terms of its structure, the paper starts with a definition of what commercial semiotics is, continues with a section defining its scope, validity, and applications. The meat of the paper is devoted to laying out the different aptitudes and techniques mentioned above. The final section discusses the semiotic enterprise as a quest for knowledge and argues that there is no single trajectory in becoming a commercial semiotics practitioner. The paper argues that it is an odyssey of constant learning. It includes some comments on the institutionalization of the field. The hope is that this paper will give insight to interested parties into the craft of commercial semiotics.
Subject
Literature and Literary Theory,Linguistics and Language,Language and Linguistics
Cited by
1 articles.
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