Abstract
Abstract
The poet Harryette Mullen takes the defamiliarization
technique celebrated in cognitive poetics to an extreme – she manipulates not
only the subject matter of her writing but the process the reader undertakes in
attempting to read that defamiliarized language as well. I apply to Mullen’s
poem “Wipe That Simile Off Your Aphasia” a number of ideas taken up by cognitive
poetics (using Stockwell 2002 as my guide): reading versus interpretation,
defamiliarization, prototypicality and actualization, sequential and summary
scanning, and the mapping of conceptual metaphor. I then argue for several
broader and unaccounted for challenges that Mullen’s work presents for cognitive
poetic theory.
Subject
Literature and Literary Theory,Linguistics and Language,Language and Linguistics
Cited by
2 articles.
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1. Post-Jazz Poetics;2010
2. The year’s work in stylistics 2005;Language and Literature: International Journal of Stylistics;2006-11