Dorothea Tanning’s Reimagining of the Maternal

Author:

Glăvan Gabriela1

Affiliation:

1. West University of Timișoara , Romania

Abstract

Abstract Dorothea Tanning’s longstanding interest in the maternal element completes the artist’s complex relationship to femininity and the female experience, turning them into essential themes in her oeuvre. I shall explore the particular manner in which the American Surrealist integrates and transforms the notion of motherhood in her art. I shall also argue that Tanning’s works as a writer offer an original insight into this cardinal theme in western art, as she dismantles common tropes and refashions them into a new, unusual language.

Publisher

Walter de Gruyter GmbH

Reference10 articles.

1. Bienstock Anolik, Ruth. 2003. “The Missing Mother: The Meanings of Maternal Absence in the Gothic Mode”, Modern Language Studies Vol. 33, No. 1/2, Spring - Autumn, 2003, pp. 24-43.

2. Breton, André. 1999. Nadja. London: Penguin Books Ltd.

3. Carruthers, Victoria. 2009. Unpublished interview with the artist, in “Dorothea Tanning and her Gothic Imagination” in Journal of Surrealism and the Americas 5(1-2):134-158

4. Carruthers, Victoria. 2011. “Dorothea Tanning and her Gothic Imagination” in Journal of Surrealism and the Americas 5(1-2):134-158.

5. Gruen, John. 1988. “Among the Sacred Monsters.” Art News 87, no. 3, March 1988, p. 182.

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