A Boat Is a Boat Is a Boat…Unless It Is a Horse – Rethinking the Role of Typology

Author:

Horn Christian1,Green Ashely1,Skärström Victor Wåhlstrand2,Lindhé Cecilia3,Peternell Mark4,Ling Johan1

Affiliation:

1. Department of Historical Studies, Swedish Rock Art Research Archives, University of Gothenburg , Box 200, 405 30 , Gothenburg , Sweden

2. Department of Literature, Centre for Digital Humanities, History of Ideas, and Religion, University of Gothenburg , Box 200, 405 30 , Gothenburg , Sweden

3. Department of Literature, History of Ideas, and Religion, Centre for Digital Humanities, University of Gothenburg , Box 200, 405 30 , Gothenburg , Sweden

4. Department of Earth Sciences, University of Gothenburg , Box 200, 405 30 , Gothenburg , Sweden

Abstract

Abstract Today, it is widely accepted that typology is a biased and inconsistent attempt to classify archaeological material based on the similarity of a predefined set of features. In this respect, machine learning (ML) works similar to typology. ML approaches are often deployed because it is thought that they reduce biases. However, biases are introduced into the process at many points, e.g., feature selection. In a project applying ML to Scandinavian rock art data, it was noticed that the algorithm struggles with classifying certain motifs correctly. This contribution discusses the consistency in applying biases by ML in contrast to the inconsistency of human classification. It is argued that it is necessary to bring machines and humans into a meaningful dialogue attempting to understand why apparent “misclassifications” happen. This is important to inform us about the classification output, our biases, and the rock art data, which are in themself inconsistent, ambiguous, and biased because they are the outcomes of human creativity. The human inconsistency is a necessary component because in rock art not everything that looks similar has a similar meaning.

Publisher

Walter de Gruyter GmbH

Subject

Education,Archeology,Conservation

Reference45 articles.

1. Adams, W. Y., & Adams, E. W. (1991). Archaeological typology and practical reality: A dialectical approach to artifact classification and sorting. New York: Cambridge University Press.

2. Ahlqvist, L., & Vandkilde, H. (2018). Hybrid beasts of the Nordic Bronze Age. Danish Journal of Archaeology, 7(2), 180–194.

3. Almgren, B. (1987). Die Datierung bronzezeitlicher Felszeichnungen in Westschweden. Acta musei Antiquitatum septentrionalium regiae universitatis Upsaliensis 6. Uppsala: University of Museum för Nordiska Fornsaker Gustavianum.

4. Bertilsson, U. (2015). From folk oddities and remarkable relics to scientific substratum: 135 years of changing perceptions on the rock carvings in Tanum in northern Bohuslän, Sweden. In J. Ling, P. Skoglund, & U. Bertilsson (Eds.), Picturing the bronze age. Swedish rock art series 3 (pp. 5–20). Oxford: Oxbow Books.

5. Bertilsson, U., Horn, C., & Ling, J. (2021). Scandinavia and Northern Europe 2015–2019. In Bahn, P. G., Franklin, N. R., & Strecker, M. (Eds.), Rock art studies. News of the world VI (pp. 18–30). Oxford: Archaeopress Archaeology.

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