Rediscovered Mesolithic Rock Art Collection from Kamyana Mohyla Complex in Eastern Ukraine

Author:

Radchenko Simon1ORCID

Affiliation:

1. Department of Historical Sciences, University of Turin , Via S. Ottavio 20 , Turin , Piedmont, 10124 , Italy

Abstract

Abstract The unique rock art complex of Kamyana Mohyla in South-Eastern Ukraine is known due to its numerous cave art engraved elements and settlements, which show how important is this site in the general picture of European prehistory as regards the Mesolithic, Neolithic and Bronze Age periods of the region. However, the assemblages from this site include also a collection of portable rock art artifacts called “churingas.” Important elements of this assemblage are thought to belong to the Mesolithic. These specimens illustrate different aspects of the artist’s worldview and are capable of revealing a lot of additional data on the technological and cultural aspects of their creation. However, their study is complicate because of a very abstract imaging, lack of systematic approach to the artifact classification and absence of a well-defined stratigraphic context from which they have been recovered. Likely, current state of archaeological record and modern technologies introduces the new opportunity to rediscover, reconsider and reshape this collection.

Publisher

Walter de Gruyter GmbH

Subject

Education,Archeology,Conservation

Reference72 articles.

1. Abadía, O. M., & Morales, M. R. G. (2004). Towards a genealogy of the concept of “Paleolithic mobiliary art.” Journal of Anthropological Research, 3(60), 321–341.

2. Arcà, A. (2018). 3D modeling demonstrates that some cup-marked boulders were squared off. In 20th International Rock Art Congress IFRAO 2018. Book of Abstracts: 219. Darfo Boario Terme, Italy.

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4. Bartosiewicz, L., & Bonsall, C. (2004). Prehistoric fishing along the Danube. Antaeus, 27, 253–272.

5. Bataille, G. (1994). La Peinture préhistorique, Lascaux ou la naissance de l’art. Milano: Skira.

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