Confucius the untouchable: on the semiotics of historization

Author:

Yu Hongbing1

Affiliation:

1. Toronto Metropolitan University , Toronto , Canada

Abstract

Abstract The present paper focuses on the semiotics of historization, that is, of “narration as history” and provides a meta-analysis of the semiotic modeling of Confucius as a case in point. I argue that the personage who has come to be known as Confucius has existed and can only exist, without exception, in multiple forms of sociocultural representation and interpretation that are natural results of distinct modeling processes. These forms compose the immediate realities of Confucius for us and the very foundation upon which any further discussions about Confucius, his disciples, and their thoughts and lives are even possible in the first place. This treatment reminds us of how easily we can fall victim to the objective illusion and the confusion of understanding and axiology that Mieke Bal has rightly cautioned against. Moreover, the paper is by no means intended to be a revisionist or nihilistic denial of the historicity of Confucius, but rather an attempt to underscore the central and fundamental role that modeling systems about historical figures play in historization as human sociocultural and cognitive practice. In this sense, the case of Confucius serves as an instance, a specimen, a sign, which is extensible to any other historical figures.

Publisher

Walter de Gruyter GmbH

Subject

Communication,Language and Linguistics

Reference54 articles.

1. Arnold, Dana. 2002. Reading architectural history. London: Routledge.

2. Bal, Mieke. 2017. Narratology: Introduction to the theory of narrative, 4th edn. Toronto: University of Toronto Press.

3. Bal, Mieke. 2021. Narratology in practice. Toronto: University of Toronto Press.

4. Bandura, Albert. 1986. Social foundations of thought and action: A social cognitive theory. Englewood Cliffs: Prentice-Hall, Inc.

5. Cassirer, Ernst. 2021 [1944]. An essay on man: An introduction to a philosophy of human culture. New Haven and London: Yale University Press.

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