Developing Affective Brands: Paratextualization in the Entertainment Industry
Author:
Affiliation:
1. Management Program , Universidade Federal de Pernambuco , Recife , Pernambuco , Brazil
2. Universidade Federal de Pernambuco , Recife , Brazil
Abstract
Funder
Conselho Nacional de Desenvolvimento CientÃ-fico e Tecnológico
Publisher
Walter de Gruyter GmbH
Subject
Marketing
Link
https://www.degruyter.com/document/doi/10.1515/roms-2022-0021/pdf
Reference103 articles.
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2. Albert, N., and D. Merunka. 2013. “The Role of Brand Love in Consumer‐Brand Relationships.” Journal of Consumer Marketing 30 (3): 258–66. https://doi.org/10.1108/07363761311328928.
3. Albert, N., D. Merunka, and P. Valette-Florence. 2008. “When Consumers Love Their Brands: Exploring the Concept and its Dimensions.” Journal of Business research 61 (10): 1062–75. https://doi.org/10.1016/j.jbusres.2007.09.014.
4. Argo, J. J., R. Zhu, and D. W. Dahl. 2008. “Fact or Fiction: An Investigation of Empathy Differences in Response to Emotional Melodramatic Entertainment.” Journal of Consumer Research 34 (5): 614–23. https://doi.org/10.1086/521907.
5. Aronczyk, M. 2017. “Portal or Police? the Limits of Promotional Paratexts.” Critical Studies in Media Communication 34 (2): 111–9. https://doi.org/10.1080/15295036.2017.1289545.
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