Treating Brown Inks: Investigation into the Effects of Aqueous Treatment Methods on the Colour Stability of Bister, Sepia, Iron Gall and Logwood Inks
Author:
Affiliation:
1. Conservation Science Laboratory of the Graduate School of Conservation , Tokyo University of the Arts , Ueno-Park 12-8 , Taito-ku , Tokyo , 110-8714 Japan
Abstract
Funder
Ministry of Education, Culture, Sports, Science and Technology
Publisher
Walter de Gruyter GmbH
Link
https://www.degruyter.com/document/doi/10.1515/res-2023-0024/pdf
Reference42 articles.
1. Baumer, U., C. Höpker, P. Dietemann, and K. Von Miller. 2019. “On the Use of Bistre in Transparent Wood Varnishes: Analysis, Application and Reconstruction.” Studies in Conservation 64 (S1): 115–25. https://doi.org/10.1080/00393630.2018.1563355.
2. Billmeyer, F. W., and M. SaltzmannJr.. 1981. Principles of Color Technology, 2nd ed. New York: Wiley.
3. Borrdail, V. R., H. Lübbegge, and A. Colmar, eds. 1966. The Straßburg Manuscript, A Medieval Painters’ Handbook. The University of Michigan: Transatlantic Arts.
4. Boutet, C. [1679] 1702. Die Grundmäßige kurtze und sehr deutliche Anweisung zum Mignatur-Mahlen, edited and translated by W. Michahelles und J. Adolph. Augsburg: Michahelles und Adolph. https://books.google.co.jp/books?id=XgBRAAAAcAAJ&hl=ja&source=gbs_navlinks_s.
5. Bronzato, M., A. Zoleo, B. Niondi, and S. A. Centeno. 2015. “An Insight into the Metal Coordination and Spectroscopic Properties of Artistic Fe and Fe/Cu Logwood Inks.” Spectrochimica Acta Part A: Molecular and Biomolecular Spectroscopy 153 (15): 522–9. https://doi.org/10.1016/j.saa.2015.08.042.
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