Characteristics of Traditional Persian Lacquered Bindings and Specific Deterioration Issues

Author:

Barkeshli Mandana1,Rostami Mostafa2,Zekrgoo Sadra3

Affiliation:

1. Department of Postgraduate , De Creative Arts & Design , UCSI University , No. 1, UCSI Heights, Jalan Puncak Menara Gading , Taman Connaught , Cheras Federal Territory of Kuala Lumpur , Malaysia

2. Research of Art Department , University of Mazandaran , Pasdaran Street , Babolsar , Mazandaran Province , , Iran

3. Mary Lugton Postdoctoral Fellow , Grimwade Centre for Cultural Materials Conservation , The University of Melbourne , Room 3.07, Level 3, Thomas Cherry Building (Bldg #201) , VIC , Australia

Abstract

Abstract Throughout history, bookbinding incorporated advancements in techniques, usage of a wide range of materials, and application of imaginative designs. Lacquered bindings are just one of several technical breakthroughs attributed to Persian artisans. They consist of a sophisticated structure of numerous layers. This study explores each layer and their materials and methods, including motifs used from the Safavid to Qajar periods. Moreover, various treatments used for each layer during manufacture as well as various methods for preparing paper pasteboards, including marqaš, ṭalāyi, tah ṭalāyi, zarak, dūdī, and abrī have been investigated through literature research and reconstruction. The intricate layer combinations used in Persian lacquered bindings cause several simultaneous chemical processes. Chemical, physical, and biological degradation are significantly influenced by raw materials and the original manufacturing process. Separation of layers, softening, yellowing and loss of transparency, cracking, hazing, and pigment as well as metal corrosion brought on by internal and external deterioration factors including light, temperature, and relative humidity will also be covered in this study.

Publisher

Walter de Gruyter GmbH

Subject

General Materials Science,Media Technology,Conservation

Reference61 articles.

1. Abdel-Ghani, M. 2022. “Multidisciplinary Study of a Qajar Lacquered Painting: Technology and Materials Characterization.” Vibrational Spectroscopy 119: 103355. https://doi.org/10.1016/j.vibspec.2022.103355.

2. Afshar, I., ed. 2018. Mohammad Ibn Al-Barakat Juhari Neyshaburi, Javahir Namah-Nizami (written in 592 A.H.), 2nd ed. Tehran: Written Heritage Research Institute (Miras-e Maktoob).

3. Babayloo, A. N., M. Azadi, and H. Najafi. 2016. “Kamān Oil; Imitation, Innovation or Localisation?” In The First International Conference on Arts and Crafts in Iranian-Islamic Culture and Civilization, 1–11. Isfahan: Isfahan Art University Publication.

4. Barkeshli, M., and G. H. Ataie. 2002. “pH Stability of Saffron Used in Verdigris as an Inhibitor in Persian Miniature Paintings.” Restaurator. International Journal for the Preservation of Library and Archival Material 23 (3): 154–64. https://doi.org/10.1515/rest.2002.154.

5. Barkeshli, M. 1999. “The Presence of Saffron in Persian Miniature Paintings and its Preventive Role for the Destructive Effect of Verdigris.” ICOM Committee for Conservation 12 (2): 489–94.

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